Tag Archives: face

Gesture Portraits 31-33

Struggled to get into it today and it shows. My hands were going numb, so that certainly didn’t help. The eye measurements did seem to be more accurate today, even though some other measurements suffered.

A difficult orientation, but I struggled with it more than usual. All the elements are basically aligned. Not happy with the heaviness of the line misrepresenting the facial border, or the heavy hairline.

 

The head got wonky in this drawing. A difficult angle, and not a great source photo — I have to to remember to keep the source photo as pure as possible. This one was elf-like, and I didn’t accurately cope with that.

 

The drawing actually came together a little bit. Eyes still need some work, but they are making progress overall. Lips and nose are reasonable.

Gesture Portraits 28-30

After struggling with eyes for so many sessions, I focused more on them today. I used some preliminary measurement lines. I could use more practice doing measurements in general, and I am scaling from photographs, which complicates the likeness, too. Flipping through the sketchbook, I am seeing progress, so I’m pleased. I’m only about quarter through this sketchbook, so more drawings to come.

Here are the drawings from today’s session:

Portrait 28

My facial border is off, and chunky. I really do need to smooth that line out. Another turned-face orientation, which is tricky. My eyes aren’t quite as aligned as I wanted to be, but I like the overall sweep of this attempt.

 

Portrait 29

Felt as if everything was elongated in this representation. I see that creeping eye. The lips are okay, the nose is my favorite element.

 

Portrait 30

First of all, this looks nothing like the model. It took on some manly characteristics. It is a strange turned-face pose, which did complicate measuring. The nose is horrid. But the eyes lined up on their plane mostly, and that helps to make this picture slightly alluring. This drawing is definitely looking more like a study than gesture.

Gesture Portraits 19-27

Yes, I have continued working on Gesture Portraits. I decided I’m going to do them until the completion of my black sketchbook. I don’t know how many more that is, but it seems right that they should all be contained in the same book together.

This morning, as I was in the middle of drawing, I had a little visitor.

She is a giant blending stump.

 

Now has she progressed into a blending stump and a bookmark.

 

And the final pose of, “Now you can’t possibly pay more attention to this than me.” Note the drawn face being unceremoniously sat upon by a careless kitty. She has no remorse.

 

So, that was the first twenty minutes of my drawing session today…yay, pets!

Now, onto the actual drawing part.

I have done three every day over the last three days. I feel as if I haven’t learned much in getting better at it, but I have noticed some style changes. My drawings seem to have gotten tighter. My original lines are getting closer to correct approximations, especially skull and hairline. I do feel as if I have been struggling with facial features such as the lips and levelness of the eyes.

I have started to draw some preliminary measurements regarding the eyes, but it doesn’t seem to be helping me much, yet. I changed pencil brands once during a session, and that had an effect on some drawings. Two sessions were at night, one session was during the day. Time does make a difference—it’s easier to draw when I’m not expecting sleep. I feel as if I have taken some steps backward in these sessions. The line is tighter, my drawings seem to be changing to be more “studies” rather than “gesture.” I’m not going to fight that much, if I get to approach drawing feeling open and with a low-barrier, that’s really what I’m going for. The rest will work out over time, and with practice.

Now to the drawings! (19-27)

Portrait 19

The head shape looks good. The tightness of my line work is obvious. I see that sifting lip line and nose. This is a difficult pose, I’m surprised I got this as aligned as I did, even though it needs correction.

 

Portrait 20

That left eye! Ahh! But the nose and lips are decent. The overall facial shape is odd. But once again, this is a tough orientation, and it would take more time to get it right, I think.

 

Portrait 21

Facial shape is a little off, but fairly okay. The hairline is going well. Line is tight, but in this instance, I think it works. I chose another difficult orientation, and executed it reasonably well, given the time and limitation.

 

Portrait 22

This drawing does look more like a study. Easily my favorite of last three sessions. The eyebrows are off, but the alignment is almost correct. I think I captured the model fairly well in this sketch.

 

Portrait 23

That left eye is off. Nothing is really working for me in this sketch.

 

Portrait 24

Lines got darker and heavier. Some features are askew. But this is looking a lot more like a study.

 

Portrait 25

The nose is not aligned, eyes are making an effort, the lips are not lined up. The jawline is strange. I have no idea what happened, this is my freak show of the session.

 

Portrait 26

Another difficult tilted-head orientation. Eyes and nose are fairly okay. Lips are just goofy. Hairline is acceptable.

 

Portrait 27

Nose and lips are not aligned correctly, and that left eye is loo large. But, the eye plane is accurate, and I just love the facial expression.

 

So, I have very mixed feelings about this set of drawings. It is interesting to me that my form has tightened, and I have started to become more interested in the detailed shading accuracy of lips and noses. Also, that I tried to align eyes has changed some measurement focuses in the drawings, sometimes with successful results, and sometimes with strange orientation results. I am hoping that in time I will be able to perform more accurate measurements faster, and to do shading of features with enough success to capture the model’s representation.

How have your exercises and creative practices been going? I know that I’m not doing Inktober, I’ve been more doing FaceTober or Pentober or Graphtober. But this is working for me. It’s been nice to see results from effort applied.

Wishing you results and progress,

Gesture Portraits 10-18

Today, you get three days’ worth of drawings! I have been sticking to the practice, even though I haven’t posted.

Two sessions were at night before bed and one session was today during the day. I’m still learning. I’m still violating my own guidelines (I have to stop doing that.)

I wouldn’t say I’ve gotten the hang of this, but the emotional barrier to drawing has lowered dramatically–since that is the number one reason I started, this exercise is already a success, no matter the outcome of the drawings. Yay!

But, as it is progressing, the drawings are coming out quite well. I’m still struggling with the time limit—I’m drawing for about 10 minutes each, when it should ideally be less. I am pleased though, looking back on other drawings, that I am managing to get as much quality out of these 10-minute drawings as I have in 30-minute drawings, or even hour-long drawings in the past.

What I am learning, and small variations I’ve done so far:

All 2B pencils are not the same!
In fact, grades between brands do not perform the same.
One day I used a 9B from an entry-level set of pencils I have.
The 9B wasn’t anywhere near as dark (or as soft) as a 2B from another brand.
So, I had to switch pencils. I just couldn’t get what I wanted from that 9B.

Sharpen, sharpen, sharpen.
Don’t be lazy! Just resharpen that pencil.
I promise 5 seconds isn’t going to stop your flow.

Take a moment to focus on the image.
My drawings started going better when I forced myself to stop and just look at the image for a few seconds.
Just take in all the shapes, the relation of facial elements in the picture, the negative space of it.
Should be a few-second “absorption” look.

Don’t judge your work, at all, while you’re in progress.
Say, you get done with portrait #2 for the day…don’t think about it,
don’t even begin to say, “I wasn’t happy with that,” or “that’s not as a good as yesterday…”
Don’t Even Think About It. Just keep drawing.

Music changes the quality.
I tried listening to music one day. The drawings were still good, but it shifted my flow state.
I like listening to music when I’m doing coloring in a drawing, or intense work, but for measuring, nope.
Everyone is different, maybe music would help you. But for me, the “setup” of a drawing needs to go without.

I tried some different grades of pencil, besides 2B.
I’m not sure how I feel about this yet, I’m going to play with this some more.
I didn’t like having to put down my pencil to retrieve another pencil during this exercise.
But a different grade was occasionally helpful, especially with eyes.

Eyes are getting easier!
The shading of them and positioning is getting more accurate.

Lips are still difficult.
They are still tricky, especially in relation to the chin. It’s a challenge to get that measurement correct.
Lipstick and gloss on women also changes the lines and light quality, I’m finding this a little frustrating.

And I seem to have a you got it / you didn’t get it relationship with noses.
I’m having some trouble with noses these last few sessions. Not sure why.
Gotta slow down, and take it easy with this feature.

Starting with hair at the top, and placing facial features is a great way to get an accurate facial border.
It’s easier to place the hairline and cheeks / facial shape with something to relate it to.

Contrast makes everything look better.
Shade a little darker around the light areas, especially the highlights in the eyes.
Be super light next to dark places. Contrast will make your drawing come to life, even if your shading or shaping is wrong.

Here are drawings 10-18!

Portrait 10

Look at all those lines in the hair, trying to work out the shape and flow. The eye measurements are good, the nose is okay, and those lips (even that heavy upper line) is doing much better.

 

Portrait 11

Probably my favorite outcome so far. Eyes are a little off, but the personality of the model is there! I also like how I was big and loose with my lines, and her face fills the entire page.

 

Portrait 12

Lots of makeup on this model, and that does change the rules. I was intrigued by the long-upward hair, and I noticed it actually made me draw differently, from the bottom-up rather than from top-down. Eyebrow placement is askew, and so are eyes, but overall, a fun experimentation with contrast.

 

Portrait 13

I was a lot less loose in this session, and this drawing. I did manage to get better facial borders. And lips and nose are more polished.

 

Portrait 14

I really like this portrait. Even though the hair is not accurate, and the nose and lip relationship isn’t aligned, the look of the model is showing through nicely. Which goes to show you can have feeling and expression without accuracy.

 

Portrait 15

This model was also heavily in makeup. The hair was involved, so isn’t accurate, and it felt a little too easy no having open eyes. I am happy with the facial border and shading. The lips also work.

 

Portrait 16

The features are huge. Placement is progressing. Lips are going better. I struggled with this session, and it shows.

 

Portrait 17

I’m pleased with the positioning. All of the facial elements and the titled head pose are well done for the short amount of time I spent. Facial borders are getting firmed up again.

 

Portrait 18

Another model with makeup. The eyes are bit off, but the emotion of the model is showing. This is the worst nose I’ve done so far. I just couldn’t get it to work out, and I didn’t want to resort to an eraser. (Maybe in future drawings I will allow myself the use of the an eraser.) I did struggle with the facial border, as you can see from all the lines. But, the jewelry accessories made this fun.

 

As you can see, I’m working the exercise. Some days are better than others. I haven’t done any one picture that I would come back to and develop further, yet, but I might change my mind later. I’m suspending judgement for now, just being an “unthinking drawer.” That mindset seems to eliminate anxiety, and keeps me open to the image at that moment.

I hope you are doing well in your own creative efforts.

 

 

Gesture Portraits 7-9

Continuing with gesture portraits today. Not as happy with the results today as I was yesterday, and I did tend to spend more time than I really wanted to with each of these. The average time was maybe a little less than 10 minutes, and should ideally be this level of competency (or better) in 5 minutes or less. But, I’m sure all of those elements will come together in time. That is why, I am practicing after all!

Lessons learned today for this specific (gesture portrait) practice:

Sharpen that 2B pencil!
It really helps at the beginning of a drawing to make loose, fluid lines.
Sharpen again and again as the drawing continues.

Eyes are involved.
They are just going to take more time to develop.
And this may not be a thing that will advance with this quick-drawing method.
But, first-time placement of the main features of the fact should get easier. This includes eye placement.

Noses are (relatively) easy.
It doesn’t take much to mostly get them right. Little suggestive outlines, and you’re good to go.
The difficulty comes with placement, which I haven’t gotten the hang of, and with showing the uniqueness of the model.

Lips are too easy to make into a cartoon.
Like noses, I imagine if I can plug into them better, I could use some suggestions of line and shading and get some better results.
Right now, I’m still thinking of them as the ideal-model-full-lipped-lips, and I’m having trouble seeing real lips. I am hoping this will adjust.

Pick a model that isn’t wearing heavy makeup, or who isn’t smiling.
In example two from today, of Portrait 8, heavy lipstick and smiling obstructed my effectiveness with this technique.
Heavy makeup changes the lines and the shading, which might make your drawing subject not look human.
Teeth are involved, require time, and delicate placement and shading—not a good feature for this exercise.

Now, onto the portraits and observations.

Portrait 7

Besides it being pretty flat, this is a good start. You can tell my line is a bit tight because of the boxy facial border. The left eye is raised, but the placement is not too bad.

 

Portrait 8

This hairline was tricky! And as you can tell, I didn’t get it. Smiling lines are going to take some time to work out. The lips are overblown and bizarre, part of that is because the model was wearing heavy lipstick, which changes the human-looking characteristics! She also was smiling, and that would have taken time to develop, so I “fixed it” which kind of looks awful. I am happy with ear placement, though. 

 

Portrait 9

Yes! Progress! This looks like a believable face. Eye placement could be slightly better, but the face outline is pretty good. Nose is nice, lip work is getting better. I saved the crazy lines in the hairline and the chin to show you how much I was “measuring by line.” Also, to appreciate how loose (and off the mark) my lines began.
Nearly Flying – Graphite Drawing

Nearly Flying – Graphite Drawing

Nearly Flying - Graphite

I took a recent trip to a Daiso store and got some lovely little mechanical pencils. I felt like making a figure portrait with a butterfly in it. The pencils worked out extremely well–one is an HB and the other is a 2B. The shading on the face was particularly rewarding and simple with the softer of the two pencils. I also used some graphite pencils from Ashleigh-Nicole that are very smooth and feel great. This turned out so well that I have a lot of confidence about making more portraits with insects and other animals featured in the future.

Filed Under: Art
Lily Nouveau (digital drawing)

Lily Nouveau (digital drawing)

After looking at lots of fantastic photography featuring female models with swirly hair, I felt like drawing a woman with fantastic hair! I also made an effort to use different line thickness—to accentuate certain features. I also like the idea of making contour lines bold—a technique my favorite portrait artist (Anthony Ryder) uses that I think enlivens any portrait work. “Lily” took on the style of Art Nouveau, but I think that she is beautiful, and for a two-hour freehand drawing, really encouraging.

Lily Nouveau - Portrait, Line

Filed Under: Art
Kicking Under Water (drawing)

Kicking Under Water (drawing)

A quick drawing after reading some poetry about being submerged and floating. I liked the uncolored the best, but the colored version is emotive in a way, too. The salty watercolor brush gives it some life. I suppose this qualifies as art therapy for me today, with all the swimming / drowning / floating symbolism dreams I’ve been having.

Kicking Under Water - Line

 

 

 

 

 

 

Kicking Under Water - Color

Filed Under: Art
Day 28 – Sketch Portrait, “Jeane”

Day 28 – Sketch Portrait, “Jeane”

Digital art, based off of a reference photo. “Jeane” seems like a fitting name for her.

I liked playing with the “pulling brush” feature in Sketchbook Pro, and got some interesting and lively results with hair. It looks so wispy! The brightly-colored lips are for my amusement only — I like how it plays off of the black and white, neutral-to-dark. Though the chin lines are obviously very sketchy, and everything in the lower portion of the picture is unfinished, I like it that way.

 

Day 28 - Sketch Portrait "Jeane"

Filed Under: Art
Daily Sketch – Day 26

Daily Sketch – Day 26

I got some time and some energy to draw today. I felt like focusing on getting back to building skills with a portrait. This sweet picture, named “Rosemary” gave me a ton of confidence. I was very loose and open during the experience of drawing. To enable right-brain thinking, I put a song on repeat, which helped me focus. I played with the lines in the hair, and used a recently-released brush from Sketchbook Pro intended as a leaf pattern to make some cool freckles!

Day 26 – “Rosemary”

Daily Sketch - Day 26, Rosemary

Filed Under: Art
Daily Portraits – 24 & 25 (digital)

Daily Portraits – 24 & 25 (digital)

 Hi, all you lovely people. ♥ I am nearing the conclusion of the first month of portrait drawing.

I haven’t drawn every day as I set out to do, travel and boat repairs interrupted some of my work flow. I also had days when there were no other circumstances to blame but myself. But, this is an exercise in improvement and strengthening of skill, not perfection.

Working on these sketches has really boosted my self-esteem, given me a task to look forward to every day (whether I carry it out or not), and increased my comfort level with both digital and traditional portrait methods.

My goal is to continue drawing until Day 100.
And just like the 100th Day of School we celebrated as a kid, I’m gonna have a party!

Here are days 24 and 25!


Day 24 – “Laura”

Day 24 - Daily Sketch, Laura

Digital art portrait. I really worked to keep this minimal. I did spend some time on her eyes with a bit of some honey-brown coloring. Playing with air brushes and the blending brushes was a delight. I’m becoming accustomed to working with digital tools — to show traditional-looking lines digitally. I enjoyed using the charcoal to make the illusion of her dark, flowing hair, and the straight-on intensity of the model made focusing on the eye color all the more alluring.


Day 25 – “Nasha”

Daily Sketch - Day 25, Nasha

 

 


Daily Sketches - Day 25, Nasha - eyes

 

Digital art portrait. A simple line drawing using an online reference. I wanted to see how much personality I could get out of black-and-white and lines. There is even some thicker lines in the eyes and around the nostrils, which make her features more sensual. Upon completion, this picture felt pop culture in style, and I felt could even serve as a panel in a comic book. Using an F grade of digital graphite and the HB graphite was a lot of fun. I learned a lot of unexpected versatility (stylistically and digital-tool-wise) keeping this simple.

Onto more work in the coming days, pushing into August!

Thanks for reading, and take care of your sweet selves, ♥
navbarlogo

Filed Under: Art
Daily Sketches – 21, 22, and 23

Daily Sketches – 21, 22, and 23

Day 22 – Denim Girl

Day 22 - Portrait, Female - Denim Girl1

Digital artwork. Based on an online reference photo. I wanted to include more of the figure in the portrait drawing again. I liked the white and dark, and the clean lines. It’s interesting to note how much texture can be achieved even without lots of gradient areas.

Day 23 – Darcy

Day 23 - Portrait

Digital artwork. I felt like coloring today. The black lines being visible with the hair but with color underneath (very watercolor-like effect) is something I really love. The white area on her lower lip also adds a painterly look.

 

Day 24 – Jill

Day 24 - Portrait, Jill

Digital artwork. I kept this exercise graphite focused. Just a touch of some gradients really add a lot of life to a simple line drawing. The darkness of her hair adds a lot of weight and depth. I feel as if using an off-white background is sort of like cheating – making her look more ‘warm’ than she actually is – but I like the effect it has.

___

I am about a month into doing these exercises, and my comfort level with digital work has increased tremendously. I feel less as if I am fighting with tools, as if they exist to help me accomplish what I want them do. I feel as balanced with traditional drawing methods as I do with digital, particularly regarding simple line portraits – and that is a Really Good Feeling. The barrier to starting a drawing has also lessened – it feels more like play – exactly the emotional association I was hoping to cultivate.

Filed Under: Art
Day 19 & 20 – Digital Sketch Portraits

Day 19 & 20 – Digital Sketch Portraits

Day 19

Day 19 - digital, female, redhair1

Digital artwork. I added some color for fun. I’ve been experimenting more with digital art, and I’m really enjoying it. I feel as if I am getting more familiar with the tools. I am thoroughly having fun with the newly-offered brushes by Sketchbook Pro, the software I use to make art.

Day 20

Day 20 - figure portrait, long hair - Ondine

Digital artwork. I felt like including more of a figure in a portrait, and found a reference photo for this online. I’m pleased with the simplicity, and feel as if I really accomplished the flow of the hair. This is one of my favorite pieces I’ve done — sweet and simple line drawing, with enough detail (particularly in the lips) to be particularly interesting.

 

 

Filed Under: Art
Portrait Sketching – Days 15, 16, & 17

Portrait Sketching – Days 15, 16, & 17

Continuing daily sketches, I’m now past the two-week period! (Yay!) As you may note for yourself, there have been some stylistic changes these last few sessions.

Some contributing factors include:

  1. a small amount of time to sketch (maybe 15 minutes)
  2. a new set of pencils (by Ashleigh Nicole) which I’m getting used to
  3. a focus on hair and outlining shapes rather than detailed interior features — just to mix things up

Here is the sketchy stuff!  🙂

Day 15

Day 15 - Portrait Sketch

The first day I received my new pencils, and it shows. My lines are sketchy and all over the place. You can tell I was interested in figuring out the capabilities of the pencils more than actually focusing on the face. I wouldn’t have normally shared this picture, but in the spirit of sharing the process with this daily sketching exercise, I am.

Day 16

Day 16 - Portrait Sketch

I backed off my intensity with the new pencils and was rewarded. They are smooth and responsive. I am looking forward to getting familiar with them. I enjoyed making the nose and especially the hair in this picture. The 6B-10B grade of pencils in this set of are the quality I hoped for.

Day 17

Day 17 - Portrait Sketch

A digital work. I was rushed this day, putting this drawing together in my therapist’s waiting room. I didn’t get to develop her much, but am still pleased. The visible eyebrow is something I’m happy with. I will work on her more in the future, having gotten the features placed and started. I’m continuing to appreciate how much an off-white background adds easy warmth and life to a drawing no matter the stage of completion.


Now onto Day 18…where more progress awaits.

Thanks for reading and checking in. Are you working on an exercise, or artwork of your own? Please share! I love to see the wonderful things!

Loves and many hugs,

navbarlogo

Filed Under: Art
Show Buttons
Hide Buttons